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Alys trained at Millennium Performing Arts graduating in professional musical theatre with the merit and journal awards Alys has performed in many shows since she started performing at the age of 3. Venues for these have included Disneyland Paris and The Royal Albert Hall. As well as theatre Alys has appeared in a number of TV programmes, such as Emmerdale and also done voice over work for various Radio commercials. Alys also teaches dance, drama and singing to children at various schools in Leeds and Dubai. Below is a link to my spotlight page, containing my cv http://www.spotlight.com/3874-6759-2207

Friday, 25 March 2011

Agony and Ecstacy

I watched this programme and I felt it linked so well with what my study wanted to show and how I am feeling about my injury! Just wanted to share this series about the English National Ballet.

http://www.bbc.co.uk/i/z8tp8/- link to episode 1 (which I have quoted in my project)
http://www.bbc.co.uk/i/zj0vc/ - this is the link to episode 2

I hope you enjoy!

Summary of Findings

The research project I conducted was named A study of the relationship between dancing and acting, with focus on how practical acting study affects dancers aesthetic presentation and career. I am pleased to report that the connection between the two arts was found in regards to how acting lessons can improve a dancer.

The results clearly show that a dancer who studies acting is not only given a bigger range of career opportunities and a well-rounded training to encompass a give a dance the ability to give a full performance beyond technique; but they are better equipped to deal with emotions. The dancing world needs people who are well developed emotionally in order for them to know how to express choreographic stories, deal with the pressures of intense training and critique, and be able to adapt to their lifestyle if/when they cannot dance. If a dancer does not learn to express themselves several negative things can develop within their being, such as, depression or an eating disorder.

Vocational dance schools are including drama lessons as a larger part of the curriculum however I feel they need to explain the reasons for this so they understand how it can help their dancing, meaning the commitment and effort in the drama lessons will be improved and lessons will not be passed up on so pupils can spend more time developing their dance technique.

The results of the research show that studying drama has an extremely positive effect on the aesthetic presentation of a dancer, but more importantly on the emotional development of a person. Thus meaning they are able to see themselves as more than a dancer but as a person capable of achieving anything they want to.

Positives:

· Gain better emotional development equalling in less chance of depression or eating disorder

· Learn to express and act so can give expressive performance with face and body not just create choreographic shapes.

· Allows dancers to take a break from constant strife for perfection and build their confidence, meaning dancers can come back to the rehearsal room rejuvenated.

· Learn breathing techniques which help stamina and movements

· Release tensions

· Allows dancer to become a double threat meaning they have more job opportunities.

Negatives:

· Takes up more time – extracting time from rehearsals or free time.

Recommendations:

· Vocational dance training to incorporate/include dance lessons and explain to pupils reasoning behind it.

· Dance teachers to play drama games and get pupils to think of characterisation in order to develop a rounded performance/dancer.

· Musical Theatre classes to start with drama in order to get dancers thinking as full performers not just technicians

· Vocational training colleges to start day with acting to allow pupils to relax, build confidence, think about emotions and wake up their minds so they can think about what they are doing. Most dance colleges start the day with ballet class as it is basis to all dance techniques, however if pupils minds are not awake and they do not know who to express themselves the class becomes nothing more than running through the motions without any progress being made except warmer muscles.